I sat down the other night and the girlfriend had setup a video for us to watch, "What is it?" I asked "It's called Ozark, it's supposed to be like Breaking Bad" she replied.
'Brilliant', I'm thinking, Breaking Bad went really shit when they made Walt a walking joke and killed off the character in such a wank way, it will be fan-fucking-tastic if someone made a similar show, but without the weaknesses that killed Breaking Bad.
To be honest a new show to binge on would be welcome, as I've stopped watching a lot of television with it's very anti-white male messages. So we tuck in to viewing the first episode of Ozark and the main character is watching a bit of porn in the office - brill not seen any sex scenes in regular tv programmes since the puritans went on their purge of 'things straight white guys like to see'.
We then learn the main character is making fat stacks from his business, which a few moments later we find is laundering money for some drug lords. Everything fine so far, this will be awesome.
Then we're informed our 'would-be-Walter-White' was having his wife followed by a private dick to see if she was getting dick in private - and she was, by some old Jewish guy. Now this set the old far-left propaganda alarm off, but I ignored it as it gets a lot of action these days.
Ah, but then you see our 'hero' is faced with the decision of letting the criminal gang he's in the shit with, murder his whore of a wife. Who hasn't just been fucking around behind his back, but was also about to drop him in a huge pile of shit.
Now the appropriate answer in this situation (if you are wondering) is to have her fingers broken one by one while you're on speaker phone, then have her thrown to her new pancake form that's waiting for her on the pavement - as is the customary tradition in this position.
But he doesn't and at this point I held my finger over the far-left alarm, so it wouldn't be set off by any further triggers from the programme. Oh and did them come.
The main character is an emasculated man who's wife and daughter walk all over him, his wife punches him without any consequence to her. The daughter later punches a boy, with no consequence to her either. A hillbilly family that turn up at one point are led by the only female in the family because the males are too stupid yuk-yuk. And then there was a scene where the main protagonist educates a "local", on how he shouldn't call a retard a retard and then proceeds to use the racist slur "Red Neck".
'Brilliant', I'm thinking, Breaking Bad went really shit when they made Walt a walking joke and killed off the character in such a wank way, it will be fan-fucking-tastic if someone made a similar show, but without the weaknesses that killed Breaking Bad.
To be honest a new show to binge on would be welcome, as I've stopped watching a lot of television with it's very anti-white male messages. So we tuck in to viewing the first episode of Ozark and the main character is watching a bit of porn in the office - brill not seen any sex scenes in regular tv programmes since the puritans went on their purge of 'things straight white guys like to see'.
We then learn the main character is making fat stacks from his business, which a few moments later we find is laundering money for some drug lords. Everything fine so far, this will be awesome.
Then we're informed our 'would-be-Walter-White' was having his wife followed by a private dick to see if she was getting dick in private - and she was, by some old Jewish guy. Now this set the old far-left propaganda alarm off, but I ignored it as it gets a lot of action these days.
Ah, but then you see our 'hero' is faced with the decision of letting the criminal gang he's in the shit with, murder his whore of a wife. Who hasn't just been fucking around behind his back, but was also about to drop him in a huge pile of shit.
Now the appropriate answer in this situation (if you are wondering) is to have her fingers broken one by one while you're on speaker phone, then have her thrown to her new pancake form that's waiting for her on the pavement - as is the customary tradition in this position.
But he doesn't and at this point I held my finger over the far-left alarm, so it wouldn't be set off by any further triggers from the programme. Oh and did them come.
The main character is an emasculated man who's wife and daughter walk all over him, his wife punches him without any consequence to her. The daughter later punches a boy, with no consequence to her either. A hillbilly family that turn up at one point are led by the only female in the family because the males are too stupid yuk-yuk. And then there was a scene where the main protagonist educates a "local", on how he shouldn't call a retard a retard and then proceeds to use the racist slur "Red Neck".
The bashing of white people by the far-left knows no limits. I've seen the poor in England demonised in the same way, but was shocked to see it so rampant in the US. I mean America was supposed to be classless, they aren't supposed to have the strict class structure that England has been so unfortunate to endure for so long.
But for as long as I can remember, the white far-left of the US has taken every opportunity to demonise the white working class of America.
The white working class traditional values of the rural communities, in particular the south, are often portrayed in a negative light, as if they are only fit to be looked down on by the high flying middle class suburbians. It's as if the poor whites are some how subhuman in the eyes of the far-left.
The middle class of America are indeed morally superior, after all they tolerate glory holes in public toilets where strange men can suck off other strange men - 'tis the refined middle class American way.
As for the beratement the white working class Americans receive for being "uneducated", I think it's totally unjustified. The lack of equal footing in the education system scores you no points, nor does your degree in gender studies make you any better than a person who is actually capable of doing a job that people require.
But for as long as I can remember, the white far-left of the US has taken every opportunity to demonise the white working class of America.
The white working class traditional values of the rural communities, in particular the south, are often portrayed in a negative light, as if they are only fit to be looked down on by the high flying middle class suburbians. It's as if the poor whites are some how subhuman in the eyes of the far-left.
The middle class of America are indeed morally superior, after all they tolerate glory holes in public toilets where strange men can suck off other strange men - 'tis the refined middle class American way.
As for the beratement the white working class Americans receive for being "uneducated", I think it's totally unjustified. The lack of equal footing in the education system scores you no points, nor does your degree in gender studies make you any better than a person who is actually capable of doing a job that people require.
But this does raise the question, why are those who are centrist or on the right of the political spectrum so useless at making programmes?
With the far-left pumping out unabated propaganda, you would think anybody to the right of Stalin would run with making their own films and tv shows. Capitalising on a massive under supplied audience would mean a fortune for the start-ups who would put the work in.
But no. We hear multi-millionaire actors saying they are being 'denied work' because of their political beliefs. But if that's the case, why don't they put their money where their mouths are?
Making programmes in America land is pretty darn cheap, look at stuff made by The Asylum, their budget has to be all of £20 per episode for anything they make.
With the far-left pumping out unabated propaganda, you would think anybody to the right of Stalin would run with making their own films and tv shows. Capitalising on a massive under supplied audience would mean a fortune for the start-ups who would put the work in.
But no. We hear multi-millionaire actors saying they are being 'denied work' because of their political beliefs. But if that's the case, why don't they put their money where their mouths are?
Making programmes in America land is pretty darn cheap, look at stuff made by The Asylum, their budget has to be all of £20 per episode for anything they make.
Or is it deeper than just making programmes aimed at an undeserved target audience? Do the far-left control ALL the outlets of distribution? Is getting a tv series or film in the hands of customers under the control of a monopoly, that is of the same political persuasion?
As an outsider to the industry I couldn't tell you. But what I can tell you is you will be holding your breath a long time if you expect your enemies to show you compassion.
The skew in tv and film is undeniable to anyone who isn't indoctrinated in the anti-white male, anti-capitalist and generally anti-west messages all over modern media.
You need to create your own works, tell your own stories and ultimately claim your own heritage back.
As an outsider to the industry I couldn't tell you. But what I can tell you is you will be holding your breath a long time if you expect your enemies to show you compassion.
The skew in tv and film is undeniable to anyone who isn't indoctrinated in the anti-white male, anti-capitalist and generally anti-west messages all over modern media.
You need to create your own works, tell your own stories and ultimately claim your own heritage back.
And no, Ozark is not "like Breaking Bad" as it's being mis-sold. Ozark is just another forced propaganda show from the American far-left, just like all the other shit on television at the moment.
By Roley
30/11/2018
30/11/2018